bobby bare
Bobby Bare's story is nearly as fascinating as his music. When he singer wanted to use horns on a country record--a first for Nashville--and strings, the producer made it happen. Became a Star at RCA Versatile country singer/songwriter whose long and storied career began in the 1950s, weathered the '70s well, and carried into the next century. Speedy was the one who got me a record deal with Capitol." "We didn't have any rock 'n' roll or other country, really all we had was the Grand Ole Opry, that was my favorite," Bare recalled, "but I always listened to the big bands of the '40s and I liked different songs--Phil Harris singing 'That's What I Like about the South,' the Dominoes doing 'Sixty Minute Man'--I loved that song. After leaving UA, he re-signed with RCA in 1973. "So, I left home and stayed with my grandmother, my aunts and my uncles, and put a little band together." "That didn't work," Bare told this writer. In 1962, Chet Atkins signed him to RCA Records. ". A notable exception came when he teamed with friends Waylon Jennings, Jerry Reed, and Mel Tillis for an album of geriatric country comedy called Old Dogs. Better still was his Grammy-winning rendition of the Mel Tillis and Danny Dill-penned "Detroit City," which became a classic anthem for displaced southerners everywhere. "I thought it was the greatest song I ever heard in my life." He was the only one of all my friends who took care of himself.... With most of my other friends, you could see it coming. Born Robert Joseph Bare … At RCA, Atkins was willing to listen to Bare's ideas. With Chet, I could see that coming for two or three years at least. Born Robert Joseph Bare in Ironton, Ohio, he had a rough early life. Although Bare had done much to widen the parameters of mainstream country music, radio playlists couldn't find room for his work during the neotraditional 1980s. Although he never received any royalties for the song, Bare didn't begrudge his friend the hit. Fraternity had put Bill Parsons's name on the label--since Bare was still under contract to Challenge-- and had him lip-synch the record on tour. "Speedy loved my singing and started taking me around. Dubbed the Springsteen of Country For sistnevnte vant han Grammy for årets sang. Bare followed up the single with a traditional folk song, "500 Miles from Home." By the time he came home on leave, the satirical allusion to both his and Elvis Presley's rise to fame and subsequent army hitch was one of the hottest records in the country, hitting number two on the pop charts in 1959. Once I was in Europe and I heard Marianne Faithfull sing 'The Ballad of Lucy Jordan,' and I said, 'God, that's great!' Building his first guitar, he began playing music in his late teens, performing with a local Ohio band in Springfield. During his two-year army hitch, Bare entered several talent competitions and even appeared on the Ed Sullivan Show with an instrumental combo called the Latin Five. Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American … So, I met Chet who said, 'Come back in a week and we'll have you a contract and look for songs, cut you a record.'" A few of his EMI singles dented the bottom of the charts and he hosted his own talk show on TNN, but his career devolved to a largely leisure-time activity. I would've been pegged as a novelty type guy." And then, of course, there came Hank Williams, Carl Smith, Webb Pierce, Hank Thompson, and Little Jimmy Dickens. Worked with Shel Silverstein His father couldn't earn enough money to feed his children, forcing the family to split up. Bobby Bare fought to secure control of his own recordings years before Waylon Jennings and Willie Nelson pulled their outlaw coup, and, after Johnny Cash, he was among the first country artists to look at the album as a thematic collection rather than simply a hodge-podge of hits and throwaway tunes. I had no idea that Shel wrote that but I loved that song, eventually I cut it a couple of times. Upon leaving Mercury, he recorded an album for United Artists called This Is Bare Country, which remained unreleased until 1976; instead, the label released a collection, The Very Best of Bobby Bare. As the '60s progressed, Bare continued to blur the lines between country and folk, as he was influenced by songwriters like Bob Dylan, recording material by Dylan and several of his contemporaries. Friend and country legend Wynn Stewart helped keep him housed and employed in California clubs, but just as he was making headway in his own nightspot, he received his draft notice. The next time Bare heard "The All-American Boy" was during his basic training stint at Fort Knox. Then, my other sister stayed with my grandparents and different relatives." He helped Jennings get his first record deal, and was among the first to champion country singer/songwriters Kris Kristofferson, Billy Joe Shaver, Guy Clark, Townes Van Zandt, Shel Silverstein, and Rodney Crowell. Bobby Bare scored nearly five dozen top 40 hits from 1962 to 1983. We were broadcasting live from a radio station which was a farm house out in the middle of a field. After figuring that he had gone as far as he could in Ohio, Bare got a ride to the West Coast with a man who claimed to know famed country instrumentalists Jimmy Bryant and Speedy West. Robert Joseph Bare Sr. (born April 7, 1935) is an American country music singer and songwriter, best known for the songs "Marie Laveau", "Detroit City" and "500 Miles Away from Home". I remembered that title--Glen Campbell lived right down the street from me at the time, and he had just done a bluegrass album or something with [an instrumental version of] that in it and brought it to me. Before Bare could capitalize on his success, he was drafted into the armed forces. In the 1960s, he concentrated on folk-tinged country, and in the 1970s he mixed novelty songs, rowdy honky tonkers and casual working-class tributes -- occasionally on the same album, like 1973's Lullabys, Legends and Lies, his most successful LP. Ut over på 60-tallet fulgte han opp suksessen med kjente slagere som «500 Miles Away From Home» og «Four Strong Winds». First Hit under Another Name "So, he was paying for the studio time and the musicians. By the end of the year, he had a hit with "Shame on You," which was notable for being one of the first records out of Nashville to make concessions to the pop charts by featuring horns. We went to King Records in Cincinnati and did some demos, spent most of the three hours working on a thing called 'Rubber Dolly,' with Bill [Parsons] singing it. In 1968, he recorded an album with a Liverpool country band called the Hillsiders (The English Country Side), which signaled his artistic drive. Waylon, we knew that was coming. In the late '50s, he moved out to Los Angeles. Due to his outsider stance and willingness to record material by Bob Dylan, Townes Van Zandt, and the Rolling Stones, Bare has always had credibility with rock audiences. They weren't very good records." "Well, my mother died when I was five," he told the author of Country Music Changed My Life. We had 15 minutes left and I said, 'Let me put this down real quick so I don't forget it.' Instead, he turned back to country, developing a distinctive blend of country, folk, and pop. By then Fraternity had discovered that it was his voice on their biggest hit and began recording sides crediting Bare on the label. While he was there, he called us at the club and said that they had offered him 500 bucks, I said, 'Hell, take it. So my younger sister was adopted to some people who lived down the road. The production worked, as the single broke into the pop charts. "That was in early '41. By decade's end, he'd scored a major hit with his former bass player Tom T. Hall's song, "(Maggie's at) The Lincoln Park Inn," which shocked listeners with its matter-of-fact approach to adultery. It was another big hit for the singer, peaking in the Top Ten on both the country and pop charts. "We spent about a year in the studio working on that," recalled Bare. Acknowledging his ability to convey a song's story, famed promoter Bill Graham christened Bare the "Bruce Springsteen of country" in 1977. Many other Silverstein songs figured prominently during Bare's renewed chart run, most notably "The Winner" and the controversial "Drop Kick Me, Jesus (Through the Goalposts of Life)," the latter said to be former President Clinton's favorite song. To cope with the unease of being shifted around so much, the youngster dreamed of being a country singer and even made his first guitar. Recording for legendary producer Ken Nelson (who worked with Wanda Jackson, Buck Owens, Gene Vincent, etc. Bobby Bare scored nearly five dozen top 40 hits from 1962 to 1983. His low-key, laid-back personality may be one of the reasons he hasn't received the recognition he deserves. Another popular and witty Silverstein--Bare collaboration was the Grammy-nominated Singin' in the Kitchen which sported a catchy, informal family sing-along atmosphere. Bare's music became increasingly country with such hits as "Miller's Cave" and "Four Strong Winds" and he became a regular, if not overwhelming, presence in that genre's top 40. Asked if he has been able to advise his son's career, Bare chuckles with pride, "It's a brand new ballgame what he's doing. Bobby Bare Sings Lullabys, Legends and Lies, Bobby Bare and the Family Singin' in the Kitchen, Drinkin' from the Bottle, Singin' from the Heart. Denne siden ble sist redigert 8. okt. There he recorded with his friends the Champs (of "Tequila" fame), but these sides--released on the Jackpot subsidiary-- didn't click either. Despite the controversial hit, which he was not allowed to sing on a scheduled American Bandstand appearance, Bare's career had obviously cooled. The result was Bare's breakout hit "Shame On Me." "The All American Boy" was released in 1959 and it surprisingly became the second-biggest single in the U.S. that December, crossing over to the pop charts and peaking at number three. Bare continued to rack up hits in 1964 and 1965, as well as appearing in the Western movie A Distant Trumpet. That was 'The All-American Boy.' But with Shel, we weren't ready for that, we were blindsided." Versatile country singer/songwriter whose long and storied career began in the 1950s, weathered the '70s well, and carried into the next century. Explore releases from Bobby Bare at Discogs. Cherokee, who was paying for all of it, wanted to get a copy made but Syd Nathan was revamping his studio then and had all of his equipment tore down--his copy machines and everything. The early 2000s found Bare playing country legends tours, casino dates, and doing as much fishing as he desired. In 1970, Bare switched to Mercury Records where he recorded Tom T. Hall's "How I Got To Memphis," along with Kris Kristofferson's "Come Sundown," and "Please Don't Tell Me How the Story Ends." My dad couldn't take care of all us. Meanwhile, his songs were being recorded by a number of artists; three of his tunes were featured in the Chubby Checker movie Teenage Millionaire. Not only did he explore American folk, but Bare traveled to England, where he was popular. During this time, he decided to become a pop singer. Keenly appreciative of the great country songwriters, he produced albums on such legendary songsmiths as Harlan Howard, Mickey Newberry, and Billy Joe Shaver. One of the few country veterans to regularly receive airplay on FM rock radio, he garnered a surprisingly strong following among college audiences of the era. This was before TV completely took over in about '52 or '53. Bare's mother died when he was five. By his own account a bright student--he was in eighth grade at age eleven--Bare never finished his education.


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